Stavros decides that another radical change of image is called for: this time, a pastiche of The Andrews Sisters. The 1920s are out and the 1940s are in. He conceives of a new venue called The Blitz, which almost entirely reproduces the London underground during WWII. The girls dress as WAAF officers to perform. Meanwhile, the commune is crumbling due to a power struggle between Jack and the original leader. In a heated argument, it turns out that despite his supposed socialistic ideals, the founder is merely another capitalist landlord. This revelation seals the fate of the now completely disillusioned commune.